Design is…, project started with an exhibition during São Paulo Design Week 2016, the largest design festival in Latin America. A limited, numbered edition of the book with the same title was created in celebration of the fifth anniversary of the festival and officially released last November. Two hundred creators and creatures from the universe of Brazilian design, including curators, critics, journalists, entrepreneurs, executives, entity leaders, cultural agitators and, of course, designers, coined their own definition of what design is or can be, a very rich collection of ideas.
Feng He is a new chinese style home furnishing brand. Wonders of natural beauty are boundless and crane eye is the center of cloud is 1983ASIA design concept. repainted from the perspective of designer, and expressed design concept of painting in calligraphy and calligraphy in painting. The visual style characteristics of the brand are formed.
Art and Culture Center of National Kaohsiung University of Applied Sciences has the mission of popularization of aesthetic education.1983ASIA explores local cultural symbol of Taiwan in view of art, extracted the traditional culture characteristics and stories from Taiwan’s local culture, transformed them into the flat visual language, and changed the art and culture center into a culture platform carrying dreams and stories.
Logo, brand and merchandise are all inspired by the uniqueness of the region. A first of its kind in the region, Tin Man only sells regional (Texas) beer. Growlers designs change often to add value to the brand. Inspired by the uniqueness of the region and the industrial interior design, each detail of the brand was thought out. Included in the brand is a special edition army growler to honor Ft. Bliss, the Army's second-largest installation, behind the adjacent White Sands Missile Range.
Artificial Realities, an exhibition of established and emerging artists, marks the 25th year since the inauguration of the East Wing Biennial. The exhibition identity, commissioned by the Courtauld Institute of Art (London) aimed to capture the essence of the artists exhibiting as well as the surroundings in which it was set. The identity graphically utilises the architectural elements of Somerset House merging with intricate graphic grids to create intrigue and uncertainty; this combined with clever use of typography and simple, yet bold colour scheme help evoke a strong exhibition identity.
This series poster reflect Chinese haze pollution problem. The design show the state of Chinese national culture image under the haze. The Chinese traditional culture image, rare animal, world heritage, literary novel character are the protagonists of the poster. The essential purpose of design is calling on the Chinese government and individuals to pay more attention to environmental problems especial haze.
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