Design Pictorial featuring great design, architecture, fashion, graphics and innovation from across the globe.
Discover 745 award-winning designs tagged Graphic on Design Pictorial.
The title Optics and Chromatic refers to the debate between Goethe and Newton on the nature of colors. This debate is represented by the clash of the two letter-form compositions: one is calculated, geometric, with sharp contours, the other relies on the impressionistic play of colorful shadows. In 2014 this design served as the cover for Pantone Plus Series Artist Covers.
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This is the poster for 2017 World Baseball Classic (WBC) project. His work details Republic of Korea attractions and national treasures, and features famous baseball players in the middle. An important point of this work is the fusion of athletes and natural elements so that various Republic of Korea charms can be produced in a single scene. It is a graphic design of a new expression method that combines style and computer graphics worked in a way using a brush, a traditional Republic of Korea painting technique.
Rename is a design exhibition that questions the idea of standards and measurement. The exhibition uses a visual language taken from measuring tools. Illustration, collage and photography are combined, and four basic shapes from a triangle set are drawn and assembled into butterfly forms. A long roll of paper works like a tape measure, so visitors can choose or make a collage section that matches their own character and take it away in a file bag. Transparent PVC cloth and roll paper are used for the display.
La Pause Parisienne is a visual identity created for a floating event space in Paris. The letters of the name are formed as tree leaves, and a serif typography with curved leaf shapes gives an elegant and gentle character. The letter U reads as a pause symbol and as an empty space within the word, framed by a crown of leaves. Greenery and plant images surround the logo to strengthen the presence of nature. The identity matches the floral decoration of the renovated 460 square metre venue, which hosts meetings and events by day and by night.
Money Talks is a series of illustrations that comments on corruption within officialdom. The series depicts hundreds of ghosts to represent hidden greed, unspoken rules and the pursuit of fame and fortune. Dark and hideous imagery is set against the positive public image of officials. Each print measures 297 by 420 millimetres and was produced with Adobe Photoshop and Illustrator. The illustrations call for honest government, diligence and justice, while offering viewers an artistic experience.
LendMe is a brand identity created for a company that operates in the home equity market. The logo uses an iconographic structure that refers to binary codes balanced against each other, suggesting both a mathematical idea and a two-way relationship between the company and its clients. The colour palette is complementary, with purple as the base and orange and blue as supporting tones for different messages and audiences. Applications include business cards, envelopes, an institutional presentation and a street light panel.
Ghepard Communication Logo is a visual identity created for a marketing and communication agency. The symbol shows the dynamic silhouette of a cheetah, drawn with two lines of the same thickness in a minimalist and modern style. The long tail of the cheetah plays a major role in the design. The silhouette uses a matte gold tone combined with a shade of gray, which gives the mark a smooth appearance. The logotype is placed below the symbol, and both elements together form a rectangular shape. The logo can be applied to white, black or colored backgrounds.
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Thirty Years Anniversary is a brand identity created to mark thirty years of restored diplomatic relations between Lithuania and Germany. The emblem highlights the number thirty and combines the two digits with the colors of the flag of each country. In larger applications the zero is cropped, so the layout stays clear, the text remains readable and the shape works as a graphic element. On a mug, the handle completes the cropped zero. Colored marks on a white background improve visibility. The identity frames public events and communication.
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Newker's goal is to provide high-quality services to the people of the International Chinese Language Awards. Design plays an important role in it. The graphic building for the New York Award is the Empire State Building. The combination of the N word and the Empire State Building graphic opens a door to the Empire State Building, which interprets Newk’s international service concept. Newker has created glorious, ever-changing and innovative global international awards together with world-class international exchanges and cooperation, which can be enjoyed by anyone affected by language.
Cats In The Bag is a series of framed illustrations that show cats resting inside bags. Each artwork depicts a simple scene from daily life with a cat. The series presents long-haired, short-haired and hairless cats, paired with bags of different shapes. The illustrations are painted digitally and then printed on acrylic plates by silk screen. Several printed plates are stacked in a custom frame, with paper and a cutting sheet placed at the back, so the image appears three-dimensional when the viewing angle shifts. Each square piece measures 422 by 422 millimeters.
Feral Horses Brand Identity is a corporate identity designed for a company that works in the contemporary art investment field. The identity speaks to three audiences: art enthusiasts, professional traders, and curious achievers. A single pictogram brings together the artistic and the financial sides of the brand. The logo and its variants are pixel perfect, so the mark stays clear and recognizable. The colors were defined with the Pantone system and then converted to sRGB and CMYK. The selected fonts work both in print and on screen.
SciFest Los Angeles is a festival identity system created for a hypothetical eight-day film festival devoted to science fiction movies. The program curates classic science fiction films from 1970 to 2017, covering sub-genres such as action, animation and mystery. A dimensional typeface, inspired by scenes of four dimensions, serves as the main visual language across all applications. The posters work with augmented reality, so viewers can explore their depth. The app and website interfaces use kinetic three-dimensional graphics.
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