Design Pictorial featuring great design, architecture, fashion, graphics and innovation from across the globe.
Discover 745 award-winning designs tagged Graphic on Design Pictorial.
Florid Sans typeface perfectly balances minimalist quality with a combination of contemporary details and classic styles. The font family is geometric in nature with humanist quality rooted in the Swiss tradition, designed with comfortable, breathable apertures that make it stunningly versatile. Each weight includes more than 700 glyphs with stylistic letter and numeral sets and alternative glyphs and discretionary ligatures.
Aprex font perfectly balances the minimalist qualities associated with contemporary sans with flair within the width of the counters and comfortable, breathable apertures. Throughout weights and sizes, the typeface has great legibility and good contrast between positive and negative space, making it stunningly versatile. With a seamless combination of contemporary details and classic styles, Aprex draws inspiration from the mid-century humanist and grotesques typefaces. Each weight includes more than 700 glyphs.
Chinese Style Coffee is a series of illustrations created for a coffee bean brand and applied to packaging and posters. The illustrations combine coffee culture with traditional Chinese culture. Characters from Peking Opera and Chinese swordsmen replace the usual figures of coffee advertising. The poses come from Peking Opera performance and recall the gesture of lifting a coffee cup. Each illustration is drawn in a pencil style with the Procreate application, which keeps a handmade feel and fine detail. The size of each illustration is 21 by 29.7 centimeters.
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Rotary Sans is an OpenType sans-serif typeface with geometric structures and slight shape variations. It includes pear-shaped ink traps that aid legibility and add a distinct visual element. The typeface provides a full Latin glyph set, plus alternative characters and ligatures, for various typographic uses. Its design emphasizes clarity and consistency, suitable for contexts such as branding. Rotary Sans comes in multiple weights and styles, usable in both digital and print formats where legibility and uniform appearance are needed.
Omar Khayyam is a series of urban posters that present the poetry of the Persian poet Omar Khayyam. The posters mark the 975th anniversary of the poet's birth. Each poster combines Persian typography with an English translation placed in the upper left area. The type design draws on classical Persian calligraphy and is refined for legibility in busy public settings. Each poster measures 150 by 107 centimeters and uses CMYK color at 300 dpi. The series was shown in metro stations and other public spaces in Tehran.
Endangered Animal Atlas is a series of educational posters that presents 52 endangered animals. Each animal is illustrated with its English name and its conservation status. The posters support Persian speakers who are learning English, and they also inform readers about the state of wildlife. The illustrations are made with digital painting in a two-color scheme, which keeps every image simple and clear. Each poster measures 100 by 100 centimeters. The series joins vocabulary learning with information about species protection.
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Onshore Roasters brand identity reflects the harmony of luxury, nature, and sustainability. The logo unites a coffee bean, sunbeams, and waves, embodying the ritual of a perfect morning at sea. A carefully chosen earthy palette and recycled paper packaging reinforce the commitment of the brand to elegance and eco conscious values. Inspired by the yachting lifestyle, the design balances simplicity and sophistication, creating a seamless connection between quality coffee and the open waters.
Typeface is a calendar designed around the concept of the typeface. The set contains four sheets. The months from January to December are punched out in an original typeface. Each sheet can be assembled into a three-dimensional unit that displays three months of the year. Assembly is simple and needs no glue or scissors. The sheets are made of pure white cardboard, and the number of fastening points is kept to a minimum. Each sheet measures 140 by 185 millimeters. The calendar can also be displayed as part of a room interior.
The concept is Opening the Path, The Honki Way. It defines Honki as Seriousness, as having a clear goal and taking concrete steps toward it. Those who master the structured approach to business development can use it to create new paths. The desire to foster many Honki individuals is represented in the H shaped frame, symbolizing structure, and the logotype, inspired by a factory, representing production. The variable design of the symbol and font reflects adaptability across all industries and fields.
Final visual outcome is reached by taking a symbol and turning it into a question mark by placing it on a smaller square below (an extracted 1/4 piece of a big square above it) and putting it on a tipping point while remaining in balance, creating a visual sensation of tension with a minimal rearrangement of elements. What Next logo, as well as the name, are in a way an oxymoron, a question and an answer both at once, creating friction. On its own, logo-sign is a simple, deliberate imperfection and a straight-forward communication vessel, striving to create a lot with little effort invested.
Cloud Living Room is a corporate logo created for an urban exhibition and reception space in Shenzhen. The mark is centered on the idea of a window, framing a view of the city and its future. The modular form is drawn from the opening movement of windows, and it also recalls the slider components used in technological interactions. The logo is built on the golden ratio and is printed with Pantone spot colors. The design aims to express openness and to connect urban culture with technology.
SDI Teaching Building is a spatial visual design for the interior of a six floor teaching building. Large scale walls are combined with large scale text to replace an empty and rigid atmosphere with a creative one. A classic German typeface echoes the German teaching model of the design school. DIN, the standard typeface of German road signs, marks guiding information, while Futura is used for other text. Fine wall paint is applied up to five meters, with overlapping colors and stacked letters. Some text is made of acrylic to create a contrast of materials.
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