Design Pictorial

Design Pictorial featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Discover 745 award-winning designs tagged Graphic on Design Pictorial.

Henry Moore Exhibition Visual Identity

Henry Moore Exhibition

The visual design for the Henry Moore exhibition showcases a comprehensive approach, featuring traditional materials such as posters and tickets. Additionally, a unique collection of cultural and creative products has been designed exclusively for the exhibition. This collection includes children's pencils and drawing books inspired by Henry Moore's iconic sculptures. By transforming his sculptural works into engaging drawing books, the designs aim to spark creativity and imagination in children, making art more accessible and interactive for younger audiences.

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Tiantai Huangcha Brand Identity

Tiantai Huangcha

Tiantai Huangcha is a brand identity and packaging design created for a regional yellow tea. The logo combines dot and leaf shapes in a simple graphic language. One circle symbolizes the essence of tea. Two circles express the interaction between people and nature. Three circles represent friends seated around a table to share tea. A tea lotus graphic below echoes the three dots and completes the mark. The packaging uses matte ceramic with metal handles, and the tea canister form follows the shape of the logo.

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HarvardXR 2024 Visual Identity

HarvardXR 2024

Extended Intelligence uses generative design to create a dynamic visual identity reflecting AI and XR. With procedural generation in C4D, randomized pixel matrices integrate AI and XR, reinforcing the conference's themes. This scalable system adapts across digital screens, signage, and print materials. A structured color palette differentiates participant identities, ensuring clarity. By leveraging generative techniques, the identity embodies innovation and future focused design.

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Bon Vivant Information Magazine

Bon Vivant

Bon Vivant is an information magazine distributed free of charge at credit union branches across Japan. Each bimonthly issue introduces local people, industries, regional products and tourist sites, connecting readers with the towns around them. The magazine measures 21 by 15 centimetres and contains about 15 pages. The cover illustration is hand drawn with brushes and acrylic paints on illustration board, using compasses, rulers and ruling pens, and is then refined in image editing software. Warm colours invite readers to take a copy home.

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24 Solar Terms and Gods Graphic Design

24 Solar Terms and Gods

24 Solar Terms and Gods is an illustration series that pairs each of the 24 Chinese solar terms with a traditional deity. The artworks draw on mythological figures from ancient Chinese classics and on petroglyph forms, using fine detail and a red and black palette. Each illustration measures 594 by 420 millimetres and is prepared for both print and digital display. A QR code in the lower right corner of each illustration links to a website with solar term explanations, deity stories and agricultural knowledge.

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Color Rhythms Music Festival Identity

Color Rhythms

The visual identity of the Abd Al Qadir Maraghi Music Festival bridges tradition and modernity. Inspired by the rhythmic patterns of historic brickwork in Maragheh's architecture, particularly the Red Dome, the design honors a millennium of heritage. Typography, influenced by Kufic inscriptions, reflects the region's legacy. Illustrations of musicians' hands playing traditional instruments emphasize the fusion of history and rhythm. The logo embodies cultural preservation while embracing a modern visual approach.

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Client Vs Designers Board Game

Client Vs Designers

Client Vs Designers is a board game for two players, inspired by the adversity between clients and designers. The design draws on the traditional game Animal Chess and adapts its structure into a playful format. Key job positions on each side are illustrated and given different rankings, so the two players can battle and overpower each other. Common points of frustration for each side act as traps. The playing pieces are transparent acrylic cut to shape and screenprinted with illustrations. The board is printed with metallic colors on paper that recalls the original game.

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Amores Beauty Lounge

Amores

Amores, a premium beauty lounge in Dubai, embodies elegance through a brand identity that merges modernity with cultural heritage. Designed to attract a diverse clientele, with a focus on noble Emirati women, its visual language draws from classic beauty industry elements like mirrors, combs, crowns, and scissors, reinterpreted in a vintage style. Inspired by Arabic architecture and Gulf region motifs like palm trees and gazelles, the identity conveys grace and tradition. An earthy color palette reflects the UAE landscapes, while a bespoke logotype enhances femininity across all touchpoints.

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Sawamura Award 2024 Key Visual

Sawamura Award 2024

Sawamura Award 2024 is a key visual created for a company event for new employees, held at a traditional Kabuki theatre in Kyoto, Japan. The theme of the event was tradition and innovation. The letters of the word KABUKU were drawn with varied typography, so each letter works as both a letter and an illustration. Traditional Japanese colours and patterns taken from the theatre were combined with a fresh colour scheme. The key visual was applied to certificates, invitations shaped like show tickets, seals and publicity, giving the event a unified look.

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Anthropology Chinese Textbook Graphics Design

Anthropology Chinese Textbook

This is a key textbook in American universities, covering research methods, human evolution, and cultural development. The cover blends the letter A with the Chinese character for human, featuring an ape's leg and a modern human's leg to symbolize evolution and East-West fusion. This minimalist design highlights humanity's journey from primitive to modern, emphasizing growth in self-awareness and cultural development.

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Threepointone Corporate Identity

Threepointone

Threepointone is a corporate identity system developed for a multidisciplinary design context. The design is constructed using fundamental visual elements, including bespoke typography, geometric forms, and a restrained monochrome palette. Structured composition and controlled proportional relationships define a clear and consistent visual language. The system is applied across digital and print formats, supporting adaptability, scalability, and continuity while maintaining visual coherence over time.

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ldeafonts Qingyili Typeface

ldeafonts Qingyili

Qingyili is a Chinese typeface based on the official script of the Han Dynasty and on the angular brushstrokes of Northern Dynasties tablet inscriptions. The typeface keeps the silkworm head and wild goose tail stroke forms of traditional calligraphy. Character forms are upright and solid, with slightly expanded inner spaces and uniform stroke thickness that support clear reading. Several weights are available, so the family suits headlines and body text in both print and digital media. The aim is to join calligraphic character with modern typographic function.

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